CHORAL POETRY WITH ONLY ONE PERFORMER. A SIEGE TO THE GHOST IN OSCAR HAHN’S WORK

This article aims to demonstrate the persistent appearance of a lyrical speaker with phantasmic features that communicates,interpellates and attempts to intervene in reality through different voices and images in the Oscar Hahn poetry. The corpus of study is made up of Mal de amor (1981),Apariciones profanas (2002) and La primera oscuridad (2011). A writing path with three successive stages is proposed and the preeminence of a phantasm speaker in each one.